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© 2004-2011


LUCKY YOU

Label (Catalog): Promo

Disc 1:
01. Lucky You 3:36
02. Everybody Has A Blind Spot 3:19
03. King In The Whole 4:26
04. Ode To Chico Banh 3:33
05. IBillie's Blues 1:37
06. Trying Too Hard With No 8's 3:28
07. Sometimes Nothing Is Enough 3:57
08. Runner-Runner 3:28
09. My Ignorant End 1:13
10. Better Not Jacks 0:50
11. Johnny Railbird 2:43
12. It Pays To Be Prudent 1:42
13. The Blaster 3:45
14. Goin' Down With The Green 1:22
15. Living On Wild Cards 3:10
16 A Dead Man's Hand 3:35

Running Time: 46:24 min

Disc 2:
01. The Big Bobtail 2:46
02. A Pigeon With Pocket Rockets 2:18
03. Burnt Cards 3:00
04. Are You Slumming? 2:47
05. A Tell 1:10
06. Mites And Lice 2:47
07. Therapy With A Deck Of Cards 3:22
08. Nubien Slaves 2:22
09. Stewed Prunes And A Toothpick 2:49
10. A Good Win, A Bad Win 1:35
11. Bad Beat 3:43
12. Four Strikes And You're Out 1:53
13. Telephone Jack 2:45
14. Rewarded For Lying 1:57
15. Left Pocket Money 3:57
16. Return To The Rat Hole 1:41
17. Lucky Me 3:38

Running Time: 45:12 min

Total Running Time: 91:36 min

The Uninvited

Additional Info

Music Composed by Christopher Young
Score Conducted by Bruce Babock
Produced by Christopher Young and Flavio Motalla
Orchestrations: Christopher Young, Sean McMahon, David Shephard, Konstantinos Christides and  Sujin Nam
Synthesizer Programmer: Max Blomgren and Richard Temple
Music Editor: Thomas Milano and Carlton Kaller
Mixing Engineer: Max Blomgren
Assistant To Christopher Young: Samantha Barker

Musicans:

Guitar: Georg Doering, John Goux, Dean Parks and George Stamatakis
Piano: Jim Cox
Percussion: MB Gordy and John Fitzgerald
Bass: Mike Valerio and Karl Vincent
Length of music used the film: 26 minutes
Length of music written for the film: 2 1/2 hours


CHRISTOPHER YOUNG ON "LUCKY YOU"

"Believe it or not, despite the fact that "Lucky You" had only 26 minutes of score, I wrote nearly 2 1/2 hours of additional demoed themes and cues that never made it into the final film. That certainly is more unused music than I have ever had to write for a movie before or since. And I'd bet there's not a lot of composers who've topped that. However, I do think it was a necessary part of finding the right musical voice for the movie. So it was definitely not wasted time."

Christopher Young